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Αρχική » Αρχείο ετικετών

Θέματα με ετικετα: lyric poetry studies

Quasimodo e i Lirici greci Quasimodo e i Lirici greci

I Quaderni del V ittorini
La vitalità dei classici
Da Quasimodo a Pasolini
Andrea Capra
Quasimodo e i Lirici greci
24grammata.com/ free ebook
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SAPPHO / Σαπφώ,The Greek Poems SAPPHO / Σαπφώ,The Greek Poems

William Harris
Σαπφώ: Αρχαίο Ελληνικό κείμενο και Αγγλική μετάφραση, σχόλια, ανάλυση
Intoduction, Censorship, Interpretation and Texts, Microstructure Analysis
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If there were two names which everyone would immediately associate with Greek poetry, they would probably be those of Homer and Sappho. But there is a huge disparity …

Aristophanes and his rivals Aristophanes and his rivals

MALCOLM HEATH (UNIVERSITY OF LEEDS)
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ABSTRACT: This paper provides an introduction to the work of Aristophanes’ main rivals, especially Cratinus and Eupolis.
Just as there was a canon of three tragic dramatists, so the ancient world recognised a canon of three dramatists of Athenian Old …

Archilochus: First Poet after Homer Archilochus: First Poet after Homer

Αρχιλόχου τα Αποσπάσματα (κείμενο στο πρωτότυπο, ανάλυση στην Αγγλική)
William Harris, Prof. Emeritus Classics, Middlebury College
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TABLE OF CONTENTS
Chapter I: The Poet and Poetry
Chapter II: Warfare and the Poet
Chapter III: Places and Persons
Chapter IV: Love and Sex
Chapter V: Wine and Festivity
Archilochus was known in ancient …

Lyra Graeca (the early Greek Lyric poets) Lyra Graeca (the early Greek Lyric poets)

24grammata.com- English
THE EARLY GREEK LYRIC poets include:
(1) Olympus, semi-mythical, perhaps late C8th BC;
(2) Eumelus of Corinth, also known for his Epics, perhaps C8th BC;
(3) Terpander of Antissa, dated to the early C7th BC;
(4) Thaletas or Thales of Crete, probably C7th BC;
(5) Polymnastus, also C7th BC;
(6) …

SAPPHO’S DAUGHTER / CLITORIS / LOVER SAPPHO’S DAUGHTER / CLITORIS / LOVER

M. Parker
MISZELLEN
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Sappho 132 (Voigt)
(I have a beautiful child, who has a form like golden flowers, beloved Kleis, for whom I [would not take] all Lydia nor lovely . . .)
A great scholar not so long ago wrote:
I would not reject the suggestion that …

Pindar in Plato Pindar in Plato

Patrick Miller
1. Introduction
While assessing Pindar’s legacy for Greek literature, W. H. Race claims that “Plato shows admiration for Pindar’s works and quotes him a number of times.”1 Plato certainly does quote Pindar a number of times. Although the exact number is disputed, it is at …

The Poems of Sappho / Σαπφώ The Poems of Sappho / Σαπφώ

Translated by Edwin Marion Cox [1925]
Transliterated by J.B. Hare
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Introduction
By J.B Hare
The poet Sappho lived in the sixth century B.C. on the island of Lesbos, which is situated in the Northeastern Aegean. We do not know the exact date of her birth or death, …

Sappho and Anacreon in Plato’s Phaedrus Sappho and Anacreon in Plato’s Phaedrus

E.E. PENDER (UNIVERSITY OF LEEDS)
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ABSTRACT: Plato’s praise of the poets Sappho and Anacreon at Phaedrus 235c is a sincere tribute to their vivid presentations of the shock of love. Allusions to the lyric poets in the prologue and Socrates’ narrative of soul support …

CALLIMACHUS’ EPINICIAN POEMS CALLIMACHUS’ EPINICIAN POEMS

Therese Fuhrer
24grammata.com/ free ebook/ englisch
Since the time that there have been athletic contests in Western culture, where the participants compete for victory not only out of personal ambition but also for the fame of their family, their home town or their nation, the victories in …

OLIGARCHIC HESTIA: BACCHYLIDES 14B AND PINDAR, NEMEAN 11 OLIGARCHIC HESTIA: BACCHYLIDES 14B AND PINDAR, NEMEAN 11

DAVID FEARN, Assistant Professor in Greek Literature MA, MSt, DPhil (Oxford)
Journal of Hellenic Studies 129 (2009) 23−38
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Abstract: This article uses recent findings about the diversity of political organization in Archaic and Classical Greece
beyond Athens, and methodological considerations about the role of civic …

«…e quei di Saffo obblia»: traduzione e invenzione da Leopardi a Pavese «…e quei di Saffo obblia»: traduzione e invenzione da Leopardi a Pavese

GILDA POLICASTRO
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Glissare sull’identità storica di Saffo obliandone i versi, come nell’idillio terzo di Mosco tradotto dal giovane Leopardi, sarà operazione qui solo preliminare: in più netto rilievo nel seguito del discorso andrà la mutazione della poetessa del trauma amoroso in personaggio «interessante», verificata …